August 21st, 2008 Posted in Actor, General Info, Marketing, Voice Over Instruction | No Comments »
Ahh the voice-over specs. Those little descriptions at the top of audition copy telling us what the client is looking for. But what if the specs are non-specific or overly specific? Do we jump through voice over hoops to try and second guess the client?
Here’s an example of some specs I got for an audition:
The client is unique in what they respond to, a nice warm smooth genuine read means nothing to them, they want out of the speaker box, with an odd phrasing or crackle in the voice, but not contrived. real. moving. a strange pause, an impediment, (okay maybe not an impediment) but something that feels real and wakes up the listener brain to something they think they may not have ever heard before.
So what do we do with this information? Cherry pick the specs, finding nuggets that connect with our voice print, type or sound?
There are so many opinions on what to do with specs from deep analysis to throwing them out and doing what you want. Teacher Bill Holmes (The Voice Over Doctor) is all about using the words in the script for clues, then substituting a real life situation for a more authentic read. He says little about the specs. Other teachers use specs as an important key to a winning audition.
It’s one thing to get, “Female 20’s-40’s (yes the range can be that wide) non-announcery” but what do you do with specs when they read like a mini-thesis?
Maybe it still comes down to one thing, as Don LaFontaine says, “It’s all about honesty.”
Voice talent! I’d love to hear your strategy.
-Tracy Pattin